克里丝塔·路德维希，著名德国次女高音歌唱家，以出色演绎歌剧和德语艺术歌曲（lieder）而著名，其横跨1940年代末到1990年代初的长达40多年的歌唱生涯，也为人所津津乐道。

基本资料

中文名：克里丝塔·路德维希

外文名：Christa Ludwig

国籍：德国

出生地：柏林

职业：歌唱家

生日：1928-03-16

逝世日期：2021-04-24

演艺经历

1946年 Ludwig made her debut at the age of 18 as Orlovsky in Die Fledermaus at Frankfurt, where she sang until 1952.

She was a member of the Darmstadt Opera from 1952 to 1954

sang the 1954–1955 season at the Staatsoper Hannover. Ludwig made her debut at the Salzburg Festival as Cherubino in Le nozze di Figaro, and appeared there regularly until 1981.

1955年 She joined the Vienna State Opera

1960年 she performed as Adalgisa alongside Maria Callas as Norma, in Bellini's opera by the same title, for an EMI recording.

1962年 was appointed Kammersängerin

1966年 Ludwig made her Bayreuth Festival debut as Brangäne in Tristan und Isolde

荣誉记录

葛莱美奖最佳歌剧录制葛莱美奖最佳古典乐专辑葛莱美奖名人堂

个人经历

As Ludwig's voice matured, she expanded her repertoire from lyric and spinto mezzo-roles to dramatic roles. Her vast repertory eventually grew to encompass Princess Eboli in Don Carlo which she sang at La Scala in Milan, in Salzburg and in Vienna, the title-role in Carmen, Ulrica (Un ballo in maschera), Monteverdi's Octavia (L'incoronazione di Poppea), Dido (Les Troyens), Kundry (Parsifal), Klytemnestra (Elektra) and contemporary roles by von Einem and Orff. She also ventured briefly into the spinto and dramatic soprano repertory with performances of Verdi's Lady Macbeth (Macbeth), Strauss's Dyer's Wife (Die Frau ohne Schatten), the Marschallin (Der Rosenkavalier) and Beethoven's Leonore (Fidelio) .In addition to her opera performances, Ludwig regularly gave recitals of Lieder (together with the German pianist Sebastian Peschko and on occasion, Leonard Bernstein) and as a soloist with orchestras. Her performances of Schubert, Schumann, Brahms, Wolf, Mahler and Strauss are much admired. She also sang Bach and performed and recorded most of his major vocal works.

个人生活

From 1957 to 1970, Ludwig was married to the bass-baritone Walter Berry; the couple performed together frequently, notably in Die Frau ohne Schatten. In 1972, she married the French theater actor Paul-Emile Deiber.As Ludwig's voice matured, she expanded her repertoire from lyric and spinto mezzo-roles to dramatic roles. Her vast repertory eventually grew to encompass Princess Eboli in Don Carlo which she sang at La Scala in Milan, in Salzburg and in Vienna, the title-role in Carmen, Ulrica (Un ballo in maschera), Monteverdi's Octavia (L'incoronazione di Poppea), Dido (Les Troyens), Kundry (Parsifal), Klytemnestra (Elektra) and contemporary roles by von Einem and Orff. She also ventured briefly into the spinto and dramatic soprano repertory with performances of Verdi's Lady Macbeth (Macbeth), Strauss's Dyer's Wife (Die Frau ohne Schatten), the Marschallin (Der Rosenkavalier) and Beethoven's Leonore (Fidelio) .In addition to her opera performances, Ludwig regularly gave recitals of Lieder (together with the German pianist Sebastian Peschko and on occasion, Leonard Bernstein) and as a soloist with orchestras. Her performances of Schubert, Schumann, Brahms, Wolf, Mahler and Strauss are much admired. She also sang Bach and performed and recorded most of his major vocal works.